My artistic studies lie beyond memory's transfiguration of the image and time's cohesion with the rhythm of contemporary times. My images are based on pixel units and determined by the rhythm of scanners and plotters. They follow a sequence of colored tapes which become traces of new inner researches. I work with painting and I nearly always paint on paper tape, which is then stretched on panels or cotton canvases. This is a creative process, I wonder about organising space in my images through my inner depth. My reflection on the creation of images, including its own times and ways of production, helps me to get back in my hands the authentic feeling of "perception".