curated by Flaminio Gualdoni
From 4 June to 12 September 2026, ABC-ARTE presented Tempo Continuo at its Milan venue, ABC-ARTE ONE OF, the first solo exhibition of Gastone Biggi in Milan, curated by Flaminio Gualdoni and developed in collaboration with the Fondazione Gastone Biggi.
The exhibition brought together previously unseen works from six key cycles in the artist’s research: the Continui, Variabili, Eventi – Guerra e Pace, the New York series, the Puntocromie and the Fleurs. The display connected different moments of Biggi’s practice, highlighting the continuity of a research grounded in the relationship between colour, light, rhythm and perception.
From the rigorous abstraction of the Continui to the return of colour in the Variabili, and from the urban dimension of New York to the political tension of the Eventi, Biggi’s painting moved across languages and transformations while maintaining a constant investigation into the nature of the image. Tempo Continuo thus presented a body of research developed over decades, in which time itself became a material of painting.
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THE RHYTHM OF PAINTING
Continuo deviante, 1964, Pittura Morgan’s su tela, 50 x 60 cm
In the Continui and Variabili, Biggi investigates painting as a system of rhythm, repetition and variation. Between the rigor of black and white and the freedom of colour, the surface becomes a field in constant transformation.
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Flaminio Gualdoni su Gastone Biggi
For Flaminio Gualdoni, Gastone Biggi’s practice is distinguished by a radical inner coherence: a form of painting that continually renews itself without ever abandoning its essential core. Through rhythm, colour, light and the structure of the surface, Biggi transforms painting into a field of inquiry into time and perception, developing over more than fifty years a language that is rigorous, autonomous and profoundly contemporary.
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«Il bianco è la luce, il grigio è il tempo, il nero sono le origini.»
— Gastone Biggi
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OPERE SELEZIONATE
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Gastone BiggiVariabile BH, 196980 x 80 cm
31 1/2 x 31 1/2 in -
Gastone BiggiContinuo 26, 196240 x 70 cm
15 3/4 x 27 1/2 in -
Gastone BiggiContinuo alternato, 196260 x 100 cm
23 5/8 x 39 3/8 in
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Gastone BiggiContinuo grigio 1, 196339 x 50 cm
15 3/8 x 19 3/4 in -
Gastone BiggiContinuo 40, 196260 x 100 cm
23 5/8 x 39 3/8 in -
Gastone BiggiContinuo 121, 196560 x 60 cm
23 5/8 x 23 5/8 in
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Gastone BiggiContinuo deviante, 196450 x 60 cm
19 3/4 x 23 5/8 in -
Gastone BiggiLuce longobarda, 1990100 x 100 cm
39 3/8 x 39 3/8 in -
Gastone BiggiNew York evening, 199070 x 70 cm
27 1/2 x 27 1/2 in
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Gastone BiggiArizona, 199070 x 70 cm
27 1/2 x 27 1/2 in -
Gastone BiggiIdillio milanese, 2008100 x 80 cm
39 3/8 x 31 1/2 in -
Gastone BiggiAmanti di luna 2, 2006100 x 80 cm
39 3/8 x 31 1/2 in
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Gastone BiggiRoseto arabo, 200560 x 30 cm
23 5/8 x 11 3/4 in -
Gastone BiggiEventi metropolitani - REAS Braccio di fuoco, 200690 x 40 cm
35 3/8 x 15 3/4 in -
Gastone BiggiRoseto artico, 200690 x 40 cm
35 3/8 x 15 3/4 in
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COLOUR AS PERCEPTION
94 - Eleusis, 2010, Industrial paint su tela, 50 x 35 cm -
PRESS & APPROFONDIMENTI
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L’ostinata partitura della luce. Gastone Biggi e l’infinito presente del “Tempo Continuo”
May 20, 2026ABC-ARTE is pleased to present Tempo Continuo , the first solo exhibition of Gastone Biggi at the gallery’s Milan venue, curated by Flaminio Gualdoni (ONE OF, via Santa Croce) from... -
Painting, the serious kind. Gastone Biggi in Genoa
October 14, 2025With this piece, we want to remember an artist who, through his exploration of line and colour, left his mark on abstraction as we understand it today. Biggi is from...
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